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So much hokum-pokum

Khalid Mohamed reviews the time-travel series JL 50, the documentary  Social Dilemma and ...

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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Return of the Migrant Worker

Approximately 30 lakhs migrant workers have returned to Mumbai to earn a daily living, out of sheer helplessness, writes Khalid Mohamed...

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Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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The art of Rishi Kapoor

Reema Moudgil takes you on a trip through Rishi Kapoors body of work and his many reinventions as an actor who scaled Bollywoo...

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Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...

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